Category Archives: real live action

Ty Segall

with White Fence, Nü Sensae, and Sex Church.
May 4 @ The Waldorf.

Sex Church opened the sold out Ty Segall show at the Waldorf on Friday, May 4, and played a loose and somewhat detached bunch of songs for the small excited crowd. They threw down a more experimental than usual set of neo-psych garage rock and spent the majority of the time stretching tracks with solid progressive breakdowns. The band closed with “Mistaken,” which had a steady build and noisy breakdown, and indistinguishable shouted, repetitive lyrics over a thrashing grimy guitar riff that almost pushed past its limits. It tied the set together with a heavy memorable finish.

  Vancouver-bred three-piece Nü Sensae with Daniel Pitout on his locomotive drum set, Andrea Lukic on bass and vocals and Brody McKnight crushing his guitar strings, took the stage and revved up the growing audience with some heavy percussion and thunderous distortion. Lukic led the trio through rugged tracks “Whispering Rule” and “Curdle Ale Cream” on the strength of her demon scream. If you haven’t yet heard these guys live yet, you should. And practice your elbow throw; you’ll need it.
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Hermetic

with Chung Antique, and Movieland.
May 4 @ Artbank.

Movieland | | photo by Audrey Alexandrescu

Movieland | | photo by Audrey Alexandrescu


I’ll always be amazed how many people can fit into the Artbank. By 9:30 p.m. the place was packed like rats in an attic, this time to support Hermetic’s new LP, Civilized City. Movieland started things slowly, easing into a candy-coated pop rock set that only got better as the night progressed. Once the cobwebs were shook off and confidence restored to the quartet, the band made good use of shared vocal duties and fun, carefree two-minute tracks. While most of their songs were sweet on the tongue, bitter closer “He Cares More If You Forget About Me” left the best taste in my mouth.
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Frankie Rose

with DIVE.
April 24 @ The Biltmore Cabaret.

DIVE | | photo by Steve Louie

DIVE | | photo by Steve Louie


DIVE has made quite a reputation for itself in the internet sphere lately, as the Brooklyn-based four-piece includes a member from Captured Track’s Beach Fossils. Picking up a lot of blog hype in the past few months, DIVE started the set a bit shaky at the Biltmore Cabaret Tuesday night, but quickly spun the night into a solid set with energy spewing out of their fingers.

  Singer Zachary Cole Smith, with his short blonde almost pagan hair, sported an extremely cozy, loose sweater as he took the stage. Liquid tones and streaming guitar lines from Andrew Bailey met the solid bass lines of Devin Ruben Perez. Space-tones laced the set intensifying the energy through the night.
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Trippple Nippples

with Basketball, and Andy Dixon.
April 27 @ W2 Media Cafe.

Trippple Nippples | | photo by Kati Jenson

Trippple Nippples | | photo by Kati Jenson


Occasionally there are shows of great significance and rarity, to which, with the right combination of attention and good luck, you get the privilege of witnessing. This was one such show. Indeed, it was a threshold evening for local sonic vigilantes Basketball; within twelve hours of playing they had to pack up their massive amount of gear and fly out for a European tour.
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Record Store Day

April 21 @ Neptoon Records, Red Cat Records, and Zulu Records.

Rare is it that one gets to take in so much great music over the course of a day and for free. This is the beautiful thing about Record Store Day, an international event where independent record shops open their doors to some of the best bands and deals in town. It can be an exhausting affair trying to keep up with everything while carting along bags full of cheap and rare records, but that’s part of the fun.
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Damien Jurado

with Peter Wolf Crier.
April 21 @ The Biltmore Cabaret.

Damien Jurado | | photo by Jensen Gifford

Damien Jurado | | photo by Jensen Gifford


It was a day of blue sky, budding leaves and bright sun soon to button down with bleeding hearts at the Biltmore Cabaret. As Townes Van Zandt’s “Waiting Around to Die” played dirge-like over the speakers, the curtains pulled back from the stylish stage to reveal Peter Wolf Crier, a go-getting two-piece from Minneapolis.

  Hyping their recent sophomore Jagjaguar release, Garden of Arms, Peter Pisano (guitar, vocals) and Brian Moen (drums) caused quite a ruckus for two rather unassuming dudes. With flair and brio abounding, the boys quickly won over the crowd, their pluck and performance quite infectious.
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Porcelain Raft

with In Medias Res.
April 17 @ The Electric Owl.

Porcelain Raft | | photo by Steve Louie

Porcelain Raft | | photo by Steve Louie


It was an unfortunately rainy and miserable night when Brooklyn’s Porcelain Raft rolled into town for a spot at the Electric Owl. Perhaps that was the reason the club was slightly lacking in attendees. Or perhaps it’s that Porcelain Raft’s ambient, synth-driven full-length debut hasn’t hit the masses — yet.

  Mauro Remiddi, the sole musician and songwriter of the “group,” assembled Strange Weekend over a few months in his basement and has since been touring with the likes of M83 and Youth Lagoon to support it. Now embarking on his first headlining spot, he brought along Vancouver locals In Medias Res to brighten the dreary eve.
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The River and The Road

with Behind Sapphire, and Dogwood and Dahlia.
April 14 @ The Media Club.

The River and The Road played a packed show at the Media Club to celebrate the release of their debut self-titled album. The Vancouver transplants, consisting of the bearded Australian wonder Andrew Phelan on guitar and north Vancouver Island banjo-master Keenan Lawlor, have been busting their asses in Vancouver bars, up and down Granville Street in particular, for a brief time, but they’ve amassed quite the following with their twangy folk rock and good old boy charms.

  They’ve made some good friends along the way too. Opening were Dogwood and Dahlia who took a moment out of their set to reflect on times playing basement shows with Phelan and Lawlor to make rent money. They made a great impression with their melancholy trumpet and moody songs that evoked all the emotion of prairie thunderstorms and whiskey-filled hearts.
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